Tracks&Pics

Rachmaninov: Prelude in G# Minor Op.32 #12 – Albert Combrink (SABC Radio)

Olivier Messiaen: Le baiser de l’enfant-Jésus – Albert Combrink (SABC Radio) (#15 from Vingt regards sur l’enfant-Jésus)

Fly me to the Moon: Louise Howlett & Albert Combrink Live Video

Live Video Footage from the “Night Sessions” CD Launch

Fly_me_to_the_moon Free Sheet Music

“Fly me to the Moon” written by Bart Howard (1954)

Louise Howlett (voice) & Albert Combrink (keyboard)

Recorded live at the launch of their CD “Night Sessions”  –  7 October 2010, Cape Town

A Little Fly Me to the Moon History:

From “Sinatra! The Song is You – A Singer’s Art” by Will Friedwald
Regarding the song, Fly Me to the Moon, Friedwald says that the composer, Bart Howard, originally wrote the song as a waltz and there were already hundreds of versions out there before Sinatra recorded it. June Christy and Peggy Lee were two of the bigger names who sang this song.
Quincy Jones had arranged the song as an instrumental for Count Basie. Jones boosted the tempo and changed the time signature to 4/4 for Basie’s 1963 album “This Time by Basie.”
Sinatra had known Bart Howard for over a decade and wanted to record the song. On the Sinatra-Basie album of 1964, the song explodes with energy and Howard, the songwriter, wrote “Frank changed the lyrics (and the song) so much, which normally would have annoyed the crap out of me but didn’t because it worked so well.” The song went on to become an anthem for swinging songs.

To book the artists or purchase a CD, contact Louise Howlett at singing-lady@hotmail.com and visit www.albertcombrink.com for more information.

Purchase downloadable tracks of the CD at CDBABY.com

 

Fly me to the moon – FREE DOWNLOADABLE SHEET MUSIC

"Fly me to the Moon" Free Sheet Music

Fly me to the moon – Lyrics:

Fly me to the moon
Let me play among the stars
Let me see what spring is like on
Jupiter and Mars

In other words, hold my hand
In other words, baby, kiss me

Fill my heart with song
And let me sing forever more
You are all I long for
All I worship and adore

In other words, please be true
In other words, I love you

Fill my heart with song
Let me sing forever more
You are all I long for
All I worship and adore

In other words, please be true
In other words
In other words

I love you

CT Tango Ensemble Video: “Hemel en Aarde (Ollie Viljoen), KKNK 2011

SAMA Nominees CT Tango Ensemble, play Stanislav Angelov’s arrangement of South African Accordionist’s Tango, captured in amateur Video footage.

Hemel en Aarde (Haven and Earth)

by Ollie Viljoen, arranged by Stanislav Angelov

Performed live at the Klein Karoo Nationale Kunstefees (KKNK)in Oudtshoorn, 7 April 2011,

CT Tango Ensemble:
Stanislav Angelov – Accordion
Willie van Zyl – Saxophone
Albert Combrink – Piano
Charles Lazar – Double Bass

CT Tango Ensemble Videos: “Now I’ve Told You” by Charles Lazar, KKNK 2011

SAMA Nominees for “Best Instrumental Album” extend the traditional tango into the realm of Jazz: Bassist Charles Lazar’s latest composition, Live Amateur Video footage.

“…Now, I’ve told you…”  - composed by Charles Lazar

Recorded live on 07 April 2011 during KKNK (Klein Karroo Nationale Kunstefees) in Oudtshoorn.

CT Tango Ensemble:
Stanislav Angelov – Accordion
Willie van Zyl – Saxophone
Albert Combrink – Piano
Charles Lazar – Double Bass

To book CT Tango Ensemble go to www.goodmusic.co.za
To buy their CDs go to: http://www.cdbaby.com/Artist/CTTangoEnsemble

Scriabin: Piano Sonata #4 in F# Major Op.30 – Albert Combrink LIVE

The Place Inside: Louise Howlett & Albert Combrink Live Video

Live Video of “The Place Inside” composed by Albert Combrink.

The Place Inside – Lyrics & Music by Albert Combrink.

Recorded Live, Cape Town 2010

Purchase downloadable tracks of the CD at https://www.cdbaby.com/cd/combrinkhowlett.
Contact Louise Howlett directly at singing-lady@hotmail.com
Albert Combrink is pianist for the CT Tango Ensemble which was nominated for Best Instrumental Album in the 17th SAMA AWARDS.

CT Tango Ensemble Video: “Cape Town Tango” Live at the KKNK 2011

CT Tango Ensemble: Amateur footage recorded Live at the KKNK 2011.

17th SAMA Awards Nominees for “Best Instrumental Album”

Cape Town Tango – composed by Stanislav Angelov

Performed live on 5 April 2011 during KKNK Festival in Oudshoorn by CT Tango Ensemble

Stanislav Angelov – Accordion
Willie van Zyl – Saxophone
Albert Combrink – Piano
Charles Lazar – Double Bass

To book CT Tango Ensemble or buy their CDs go to www.goodmusic.co.za

The song was also used in the soundtrack of the film “Visa/Vie”, directed by Elan Gamaker. (View the trailer below)

To download Cape Town Tango go to: http://www.cdbaby.com/cd/ctte2

CT Tango Ensemble Videos: Los Mareados (2004)

Watch a live video of CT Tango Ensemble playing “Los Mareados”; Download Free Sheet Music of “Los Mareados”; Lyrics and translation of “Los Mareados”

Cobian
Buenos Aires 1943
Cadicamo
Mareados 1
Tangopink
Mareados 2
peron_juan-evita
avdemayofy5
microcentro19201930sl1

Los Mareados (Music: Juan Carlos Cobian /Enrique Cadicamo (1900-1999)

Performed live by the CT Tango Ensemble:

Juan Simon – Voice
Stanislav Angelov – Accordion
Jacek Domagala – Violin
Albert Combrink – Piano

Filmed during the run of Tango Show El Beso – December 2004 at The Little Theatre – Cape Town, produced by El Cacha Tango Company, directed by Heinrich Reisenhofer (www.elcacha.com)

Juan Carlos Cobian

A deceptively simple little Tango, Los Mareados starts with a quasi-recitative, building to a very dramatic climax. It’s composer, pianist and tango-innovator Juan Carlos Cobian (1896-1953), was born in Pigüé, Buenos Aires. His fame rests on both his playing as a pianist, and his compositions. He was perhaps the first to fill in the bass line with embellishments when the melody rests. This practise was later taken up by other masters such as Francisco de Caro. Alongside the composer Enrique Delfino, Cobian was the main creator of the so-called “Tango-Romanza”. Born of Spanish father and Argentine mother, he showed early pianistic promise imitating the lessons of his sister Delores, who encouraged her parents to let her younger brother take lessons as well. After graduating from the “Conservatorio Williams” at the age of 17, he did the rounds in Buenos Aires playing for silent movies and beer houses until landing a job with the best paid bandoneonist of the time, Genaro Esposito. He was arrested for evading military service, but the time to good use, writing a number of tangos.

“Tango-poet” Enrique Cadicamo

Novelist and “Tango-poet” Enrique Cadicamo (1900-1999), born  Luján, Buenos Aires, was an early prize-winner of the Max Glücksmann competition for new tangos. His lyrics are rich in the Lunfardo style. Lunfardo is not so much a Latin dialect of Spanish, as it is a specific use of a “sub-set” of that language, rich in imagery that might be lost on the audience – or not, depending on how one is using it. Lunfardo is frequently found in the lyrics of Tangos, supplying nuances and double-entendres with overtones of sex, drugs and the criminal underworld. It is an integral part of the Spanish spoken in Argentina, Uruguay, even parts of Paraguay and Chile. But for all practical purposes, Lunfardo is not understood by the general Spanish speakers from other countries. In the mouths of some, Lunfardo is mere slang. In the pen of Cadicamo, it’s power even attracted the ire of censorship.

Buenos Aires 1943

From “Los dopados” to “Los Mareados” to “En mi passado” and back again.

Cobian originally composed Los Mareados as an instrumental tango. The lyrics were added by Raúl Doblas and Alberto Weisbach for use in the play “Los Dopados” (The doped) which premièred in Buenos Aires in 1922. The acidic text describes two lovers breaking up and swearing to get angrily and madly drunk together on “Champagne that kills your little soul”. The show was soon forgotten.

Two decades later, Cadicamo heard an old record of the song with Cobian himself on the piano. He wrote new words, repeating the central theme of the bitter champagne-drinking break-up. So, in 1942 Los Mareados was recorded again and was an instant hit on the local radio stations. But not for long: just three years before Juan Domingo Perón became president, the military government clamped down on Lunfardo elements in all forms of public life. Suspect literature and music were banned, and Los Mareados was no longer allowed radio play.

Eva & Juan Perón

Cadicamo, locked in an office with an intimidating armed military official, was “requested” to rewrite the lyrics. And so, the tame “En mi pasado” was born. No more drunken Champagne-tinged skirmishes: the lovers part calmly and without sex, alcohol or violence.

Los Mareados was only heard in its original form again in 1949. A delegation of poets and musicians begged for a special hearing with the president of the nation, General Juan Domingo Perón. Perón was swayed by the passion of a group that included the greats Anibal Troilo and Francisco Canaro, and lifted the ban.

Los Mareados Lyrics (Cadicamo) in the original Spanish (and Lunfardo)

Rara.. como encendida te hallé bebiendo linda y fatal…
Bebías y en el fragor del champán, loca, reías por no llorar…
Pena Me dio encontrarte pues al mirarte yo vi brillar
tus ojos con un eléctrico ardor, tus bellos ojos que tanto adoré…

Esta noche, amiga mía, el alcohol nos ha embriagado…
¡Qué importa que se rían y nos llamen los mareados!
Cada cual tiene sus penas y nosotros las tenemos…
Esta noche beberemos porque ya no volveremos a vernos más…

Hoy vas a entrar en mi pasado, en el pasado de mi vida…
Tres cosas lleva mi alma herida: amor… pesar… dolor…
Hoy vas a entrar en mi pasado y hoy nuevas sendas tomaremos…
¡Qué grande ha sido nuestro amor!…
Y, sin embargo, ¡ay!, mirá lo que quedó…

Ave. de Mayofe - Buenos Aires c.1930

Los Mareados Lyrics (Cadicamo) in a very loose English Translation by Albert Combrink

How strange! As if you were on fire, I found you drinking - contagious and fatal.
You drank, and in the noise of the Champaign, you were crazy – laughing so that you did not cry.
It pained me to see you like that, your brilliant eyes shooting an electric bolt – your beautiful eyes that I adored.

Tonight, my friend, alcohol will be our friend. What matters is that we be inebriated, and we recall how intoxicated we used to be.
Everyone has sorrows, and we have ours.
Tonight we will drink, because we can no longer see  who we used to be.
Today you enter my past – part of the history of my life.

My soul takes three things with it: Love, a Scale, and Pain.
Today you enter my past. We will take new paths.
How great was our love.
And yet, despite everything, our love looks at what is used to be.

Download Free Sheet Music of “Los Mareados” in a piano arrangement by Tango Pianist and Arranger Rogelio Marra.



CT Tango Ensemble Videos: Payadora LIVE at Paulaner Music Festival 2008

CT Tango Ensemble performing Julian Plaza’s Payadora live at the 2008 Paulaner October Music Festival Cape Town’s V & A Waterfront.

Muizenberg Milonga 156

CT Tango Ensemble performing Julian Plaza’s Payadora live at the 2008 Paulaner October Music Festival Cape Town’s V & A Waterfront. The CD was also recorded on their second Album, Tango Club (launched March 2010)

CT Tango Ensemble
Stanislav Angelov – Accordion,
Albert Combrink – Keyboard
Jacek Domagala – Violin
Dave Ridgway – Double Bass

Read more about Julian Plaza’s delightful milonga, Payadora HERE

Recorded live & produced by Marek Pinski from CDXpress (pinski@iafrica.com)

To buy their CDs or book the Ensemble go to: www.goodmusic.co.za



Photo: J. Altschuler